Showing posts with label intrinsic. Show all posts
Showing posts with label intrinsic. Show all posts

Friday, September 27, 2013

The Most Excellent and Lamentable Tragedy of Teaching

Romeo & Juliet - Ford M Brown


Two classes, both alike in dignity,
In fairest cyber-space we lay our scene:
An ancient failing pedagogy breaks
and from its wounds heuristic theory spills;
A pair of star-cross'd classes lose their life:
Whose misadventured piteous work-attempts
do with their death bury their teacher's strife.
The fearful passage of their work, so brief,
And the continuance of their teacher's angst
which, but the classes end, nought could remove,
Is now the two-page traffic of this stage;
The which if you with patient eyes attend,
What here shall miss, our toil shall strive to mend.




My glorious, uncompesated readers I present, for your learning pleasure, this complex and important anecdote so that you may continue seeking enlightenment, satisfaction, and fulfillment from the work you have chosen to do.

Scenario A

A class of grade 9 boys, studying Space.  They begin in conversation simply pouring over the lexicon of work required to fulfill the Alberta Program of Studies, not as a reminder of what MUST be done, but rather what COULD be done.  They meet and express their unique loves, as boys, for things that are mysterious, foreign, to be mastered, and ultimately explode.  They approach me, their teacher, and announce that the most exciting part of learning about Space will be to build themselves a ROCKET.  Their teacher, with pomp and exuberance relays to them that this is exactly what they will do so long as they complete the research necessary to get the rocket to space safely.  He lays out four tasks which rocket-engineers must understand before undertaking any building project and sets them to task fulfilling these requirements as quickly as possible so they can make it to the rocket-building.

Scenario B

Now a class of grade 8 boys and girls, studying Water Systems.  They begin, not in conversation with me, but with a simple task:  To open up a website; http://waterquest.ca to be precise, and begin the drudgery of data-mining information that is barely relevant to their everyday life.  Their teacher is there at times to simply respond to their questions, and construct the space within which they will record their "regurgitated" information.  They are not offered a deadline, they are not offered a rubric.  Nothing is exchanged but a web-address and an assignment.
If you are not an expert in Human Motivation then I ask you to consider the two scenarios (both real) and offer that your gut-instinct is very naturally telling you that scenario A is MUCH MORE appealing than scenario B, and very likely the students are MUCH HAPPIER within scenario A as a result of knowing that they get to build a ROCKET.

And, like I was, you would be wrong.

For the last few days I have been racking my brain as to why I can't motivate 5 boys to use the web to research Space.  Especially since there is an actual tangible reward in it for them.  I am overwhelmed by the creative thought, energy, and efficacy with which the students in Scenario B are turning in work -- and the moxy they are showing solving their own problems and experimenting within the format, but I can't get the grade 9 students to open a website- much less begin the process of real research.

I have
a) considered that maybe it's just a developmental stage for the grade 9 boys that the grade 8's aren't at yet
b) that it's because they're boys and easily distracted by other ventures
c) that it just happens to be a circumstance of being in a classroom environment while the students in 8 are abundantly working from home
d) that they haven't had enough "responsibility" attached to the "learning"

And so I have
a) told them that we will play out a scenario of "World Domination" where they will master Space on route to mastering the world.  I will be their General and over the course of their learning they will earn Rank points to move them up the hierarchy
b) given them an evaluation form for the information I am hoping they will return before we get to BUILD the rocket
c) rewarded them with the very real potential of creating a rocket
d) listened and responded intently to their concerns, issues, and desires, and responded in kind by provided what they appear to be looking for.

And then, because I'm exhausted from having to be so creative (and not being adequately compensated for the immense work that I choose to do) I am lying in bed listening to Drive by Daniel Pink...

For those who have read it you're probably chuckling to yourself right now... else you should be... :)

The SCIENCE does not match the THINKING.

The Grade 8's ARE working intrinsically even though the material itself is not NEARLY as interesting as the Grade 9 Space work.  They have not been told that they HAVE to do anything, and there is not proverbial CARROT hanging near the STICK threatening their work as being anything more than them choosing to do GOOD WORK.  In the class where I felt I was doing everything WRONG it turns out that I was playing to the actual nature of the Grade 8 psyche:  do work for the sake of doing work, and balk at anything that tries to get in the way of that.

Counter to that, though I thought I was onto something AMAZING with the grade 9's I have done everything absolutely bass-ackward.  I have taken something as intrinsically interesting as SPACE and said the only reason we are studying it is because we have some outcomes to achieve and I'm even going to take away the fun of building a ROCKET by making it a REWARD for doing (what should be) inherently interesting work.

Moreover I'm in contact with a group who's essential task is to create a game-ified, badge-based open learning pathway network (that's a mouthful) thinking that this might be an amazing way of opening up students to the potential of defining their own skill-set and making their own map of learning.  AND I believe it will work simply BECAUSE it gets the teacher out of the way of the REWARD.

I am a walking contradiction with an alarming alacrity.

Working in reverse:


The last solution is simple, and I mirror it in my job right now
a) I abused an incredible amount of hours creating an online course that I offer for free, simply because I love teaching about stuff, I feel like I have something to offer, and I REALLY LOVE designing things.  http://sites.google.com/site/artistsoftheigeneration-- there was a little carrot in that the Public Library offered me a forum, but no compensation really other than the joy of getting to "perform" a little.
b) I have quit my job as a high-paid geologist, to become a well-paid teacher, only to quit to become a part-time employee of a private-school start-up... the more experienced I get, the better my work gets and the LESS I am compensated to do it AND the MORE I feel fulfilled.
c) I don't need a badge, an honour-roll, or a reward to do it - BUT because the work is good people keep dropping by and OFFERING it to me, UNEXPECTED... so....

Solution 2 (Badge-Based Learning):

Let the students create and map their own learning path.  Then share the immeasurable creativity and uniqueness of their work, and carefully and intentionally support them with words of praise, and informative feedback.

Solution 1 (Cold Dead Space):

Drop the rank points (no one cares anyway)
Drop the facade, space is interesting -- very little motivation required
Let them build the rocket because building a rocket is the learning, unlink it from the project and they will bring it back around -- because inevitably it does
Start looking for the parts of the learning that ARE algorithmic (and VERY LITTLE of science is algorithmic) and put those rewards where they should be.

Conclusion:

Learning is NOT algorithmic, but there are things that MUST be done in order to create a safe place for learning.  In the absence of GAMIFYING those mundane tasks use other EXTRINSIC motivators, but for the love of teaching, and the love of PEDAGOGY...


HEY, TEACHER, LEAVE THOSE KIDS ALONE. 




Wednesday, May 16, 2012

Cloud 9

I recently spent two days at a campus/hamlet in a rural town in Eastern Alberta called "Rosebud". The town has existed now for some time in the collective subconscious of most of the people I've spoken to about it in Calgary, due in large part to the quality and accessibility of their "Theatre". But this post is not about them. (however you can learn more about them by choosing this link: http://www.rosebudtheatre.com/index.html)

A view from the road (moving about the campus) at Rosebud
The clouds on the horizon brought snow, similar to the clouds in Part 2 of this blog.
What was special about this trip was that it was the result of ACSI (http://www.acsi.org/) and the vision they have for arts in education approaching Rosebud School for the Arts to host a two-day retreat for students in member schools to attend workshops on how to "tell important stories".  This brought together students from Calgary Alberta, Drayton Valley Alberta, Kooteny British Columbia and this one other place distant that I can't recall at this moment.  The students ranged from grade 8 to grade 12, both male and female.

What was important about this trip as moment in time for teaching was that upon arrival the students were handed a name-tag with a schedule on the back and were welcomed and blessed by the ubiquitous ACSI representative Dr. Phil Hills.  That was all anyone got...

Let's put this in perspective.  Rosebud is a small town.  The campus for the theatre school covers three of the four corners of the town (roughly 3 city-blocks in any direction).  The students have not been here before, nor are their any large sign around saying "please walk this way."  The instructions were:  You have your class listings, and a name of a building. Find some friendly people, they're all around and they know the place well.  Ask them, they'll give you directions.  There's a welcome sign on every door you might need to be in.  If you're going to be late, use public transit. It's free.  Oh, and there is a completely uninsured trampoline on one of the sites, so don't tell anyone when you use it.  Your chaperons are free to wander as they wish.

This is Public Transit in Rosebud.  It's free.
Freedom, the outdoors, lack of walls and bells, the ability to talk to strangers, roaming free with coed teenagers from out of town of a prime "socializing" age... oh look, a black bird in the reeds of an Oxbow Lake...

It's a wonder that anyone got to any workshop at all, right..? Actually, wrong.  It's not a wonder at all... this style of teaching is 100% 21st Century education.  It smacks of all the right tools for engaging a 21st Century student.

So now the icing -- my cell phone had no coverage out there in the Boonies, and though I had my iPad with me at all times, it never occurred to me to check if there was a network available.  It became a tool for focus rather than an element of distraction... and I, along with several others, put away my phone and became present. 


Present.  What a lovely word.  So important when storytelling, and so-much the reason I think that Rosebud has developed a solid reputation for fine theatre-art.  It helps that it's a beautiful town nestled in what appears to be an ancient lake-bed with a river valley anastimosed on a line of remnant hills reminding us of the ancient and beautiful creation around us... (I was once a geologist, every so often I get stratigraphic-reflux... sorry)

My point, I guess, is that I didn't once have to speak to a student about being where they needed to be, or about getting there on-time... because time didn't really matter much.  The teaching that needed to happen was closer to mentoring them on how to be a good neighbour as they moved through the community.  I had to show them how to be aware of the world around us, how important it is for Grade 8 and 9 science students to really comprehend the majesty of a water system and the morphology of the river... sorry; there I go again...

I want to break some rules and share one more picture.  This one is of three students, in three different grades, from three different schools preparing for an improvised presentation that will illustrate Laban's 7 Efforts (http://en.wikipedia.org/wiki/Laban_Movement_Analysis)  Body language really tells this story which happened more often than not throughout the course of the workshops.  By design.  By necessity.  By accident.


Was every workshop perfect?  No.  Engaging for all?  Absolutely not.  The students I took responded mostly with the reflection that:  "We got to show others our story, and they liked it."  Speaking of the work they did to show off the One-Act play we derived over the past four months (one lunch-hour per week).  For teenagers, it's still about relationships, and getting feedback.

And Rosebud was primed for that.  What does an actor enjoy more than the applause at the end of the show; the validation that their work had personal meaning to someone else.  When that personal meaning can be faith derived we've found a bit of the kingdom, and that puts me on "Cloud 9".

I can't possibly capture all the wonderful things that happened these two days, nor will I ever reveal the traumatic nightmares that came for two-days post-trip as my body recovered from being around adolescent theatre-students...  I would like to say that if you get the chance, the show is great, the food is excellent, and the town is a delight not to be missed.

Part 2

The Cloud

After using the iPad to capture several photos and video my next experiment was to use my vast array of "cloud" providers to ensure that, having filled up my iPad, I could empty it out and quickly use the information on any computer that I might be near at the time.

Here are my favorites:
  1. Dropbox:  Linked to my PC's desktop so the files sync automatically between them.  Free, so the space is somewhat limited.  The first attempt to upload files went -- okay.  Some files were too large to be uploaded.
  2. Google Drive: (aka Picasa) using a PC I was able to see my iPad and thereby bring files over from local media and upload into Picasa.  It was labourious and slow, but at least I could store the bigger files.
  3. Box.net:  great iPad app, but some irritation with the work-flow, and some issues with the output.  The file size again (for free) is a limiter and the upload process does not occur in the background so any interruption means having to restart certain files over again.  Most annoying feature - it renames files so if something doesn't upload you have to make an educated guess to which file it was...  So why use it?  Nice integration, 50GB space for free.
  4. Skydrive:  the other three did what I needed them to do, so I didn't bother.  Not enough integration with the other apps to make this one worthwhile.
  5. iCloud: My photostream is set to only accept pictures and not video (which is nice, because I only have 5 free GB).  Unfortunately everything goes in automatically and to save space I'm often having to delete files twice.  I always get my files to where I want them, and I always know what's there though.  I love this feature.
So the problem now is:  which do I decide to spend my money on?  I can't stay on the Lite versions forever?  Can I?

Wednesday, February 1, 2012

Authentic Yearning


Every year our drama program struggles to create a space for students to use film media to convey their stories, and examine their processes.

Problem 1:  They don't want to film at school.  There's no where good.
Problem 2:  They don't want to story-board.  What's the point?  With digital technology we can just take one long shot and splice them together afterward
Problem 3:  They don't want to tell a story.  It's more fun for us to look at ourselves making silly faces on camera than stick to a script.

Been there?

With the advent of an iPad classroom, and the willingness to open up a project to something beyond getting a mark here is what has happened, and how:

The Story


Problem 1:  Mandate a project with a note home from parents that no students are allowed to film at home.  That's work to be done in class.

Problem 2:  Create a project where you charge them for the film that they use.  For my students I charge them $0.80 per minute of digital film.  I don't really charge them, but I make them keep track of it in a budget.  At the end of the project their mark is scaled between a ratio of how well they were able to meet the bench-marks (good story telling, coherent story, likeability) and how much it cost.  They are to make 10 minute films.  They can be shorter, but must not be one second longer after editing.


Problem 3:  Examine the mystery genre.  Split them into groups of four or five and then lead them to these two sites:
a) The 5 Deadly Sins of Amateur Film Making
b) The film techniques of Alfred Hitchcock

Having approached each of the problems in this fashion start them off looking at Problem 3 with the understanding that this is a problem of the past that they are certainly more than talented enough to over come.  Give them time and the resources to investigate these sites in their groups and then create some time to share the more interesting details they discovered.

Then announce the project: "We're going to be hosting the School 10 Minute Film Festival, and your films will be featured just like at an industry Gala Event".  The look on their faces when they realized that this project was something that mimicked the film industry was one of excitement.  As soon as I stopped the pitch the creativity started.

The Yearning


Quick note:  All media appearing below belongs to and was posted online (without encouragement) by my Grade 9 students.


 What happened in our class is that as soon as they understood there was a budget they started to come up with other things they should charge for.  For instance, several students are excellent editors, but other students have no idea where to begin with film editing.  So they wanted to charge for editing time from the experts in the Career Technology and Society class.  They knew of other actors they'd like to include in their project, but they needed to charge a rate to get them in their movie.

Mostly they wanted this project to mirror the things that actually happen for film-makers. Including and not limited to creating their own movie posters and the following "teaser-trailers". Stay tuned, we plan on streaming their videos!


I can't guarantee that this will happen every time this project is pitched, but for these guys it was working.

Finally, tell them that because this is a festival format they must meet certain deadlines and be able to speak to the work they are doing at the end of the project.

For the last two weeks they kicked me out of class so they could work toward their project goals.  They approached me only for permission to film in certain areas of our school (just like film-makers acquire licences they had to get licences).  And there are posters, trailers, and just a whole lot of excitement surrounding these films, because they want to do something valuable and authentic.


I want you to participate in their film festival too, so I'm inviting you now to follow us on Twitter, keep up to date with this blog, and watch for a date (following Feb 7 when we will live-cast our event).

Peace.